Showing posts with label Mahabharata. Show all posts
Showing posts with label Mahabharata. Show all posts

Thursday, 18 April 2013

MAHABHARATA- the greatest epic


The Mahabharata is known to be one of the greatest epics of all time. It deals with not just the black and white but with the different shades of grey. It is presented at a time when questions of life and death were answered by ‘karma’ and the actions of the people, justified by ‘dharma.’ Society remained a mere paradox; one that is not only idealistic but seen as a reflection of sought after perfection. It introduces the ideal son, who acts as a substitute, for his fathers curse and suffers, only so his father could enjoy the worldly pleasures. Further, an ideal wife, one who willingly jumps into her husband’s funeral pyre and so on. Yet, on a deeper level it was rife with underlying structural, religious, classist and sexist forms of discrimination – where women were treated as mere commodities, where sages lost control of their vows and succumbed to lust and greed.  While some children were borne of Gods and Rakshasas, some were born of pots and fires.
                   The Kauravas were born out of jars that were filled with ghee. Their mother, Gandhari was pregnant for two years. When she heard about her younger sister-in-laws delivering before her she was devastated.  So impatient she was to have heirs, that she asked her maids to hit her stomach with an iron rod. Soon her body tossed this ball of flesh, so repugnant was the sight. However, fate had a different tale to tell. She was destined to be a mother of a hundred sons and so she was. Sage Vyasa asked her to break the ball of flesh into a hundred and one pieces (hundred and one because she also wanted a daughter amongst the hundred sons), and place it in jars of ghee. Within a year they would incubate and transform into humans. When the first Kaurava son was born, Duryodhana, the dogs wailed which was considered an omen, one that would bring misfortune to the household.
The circumstances of their wretched births seeped negativity right from their creation. The glimpse of this negativity is conspicuously seen as the plot unfolds. The Kauravas play a vital role in this splendid epic. They are fought by the Pandavas (their cousins) in the overwhelming war of ‘Kuru-kshetra.’ Duryodhana, is portrayed as a covetous and insecure man. He longed to be superior to his cousins (Pandavas), in every way possible. He desired the throne and did everything he could, even if that meant treading on people, making his own cousins his archenemy. The Kauravas were extremely manipulative and opportunistic. They were fully aware that their father loved them so much that he could never hinder them from doing something erroneous. This ‘fathers love’ was taken full advantage of. I believe that the hundred sons were born of competitiveness and this quality just flowed in their blood. The Kauravas father, Dhritarashtra was forbidden from sitting on the throne because he was born blind (the rule stated that no man with a physical defect was allowed to take over the throne, irrespective of whether he is the first born son). Dhritarashtra’s younger brother who was pale and quite a weakling was pronounced the reigning King. This really perturbed him, but unable to go against the rule, he quietly repressed his ambitions hoping that his heirs would take over. Their mother was more interested in giving birth to an heir before her sister in laws. Hence, this quality of always being better than the Pandavas was an attribute he probably just inherited.
         The Pandavas and the Kauravas were skilled warriors. Drona taught the art of warfare to them. Who in return of his training, wanted them to capture the King of Panchala, Drupada. His students successfully paid off their dues to their teacher who avenged his humiliation by taking one half part of Drupadas kingdom. Drupada was released but felt so dishonored that he had made his mind to even the score with not only Drona but also his accomplices, the Kuru clan (Kauravas and Pandavas). Hence, Drupada invoked Shiva, the destructive form of God and asked for a son to kill Dhrona and a daughter who would divide the Kuru household. His request was soon granted and he was destined to kill Bhishma, but he was unsatisfied yet. He then sought the help of the Rishis Yaja and Upayaja who created a magic potion that would enable Drupada’s wife to have children but when it was time to give her the magic potion, she was busy having a shower. The impatient Rishis threw the magic potion into the fire-pit. From the flames of fury and retribution transpired two children, Drishtadyumna who would take the life of Drona and Draupadi who would marry into the Kuru household and drive a wedge between it. Destiny cannot be changed. They were born to complete their fathers’ unfinished reprisal. The three children play an extremely essential role in not only dividing but also for the carnage of the Kuru household directly or indirectly. These three children were born of, from and with retribution. Draupadi was one the chief reasons for the occurrence of the war. She was outspoken in such a male dominant society, where women were usually just considered to be ‘means to an end’. Their existence was merely either to serve as commodities and to have heirs. They never questioned why or never went against the word of a man. The women were depicted in strong but flawed characters ( For instance:Devyani). However, Draupadi was forthright, she questioned Yudhishtras’ authority to stake her, she was humiliated in front of the whole court of Hastina-Puri but that dishonor was entrenched in her mind. She was out to take her revenge at any given cost. She wanted to see the Kauravas drenched in blood. She vowed that she wouldn’t tie her hair till she had washed her hair with Dusshasana’s blood. The Kuru household was officially divided; Draupadi had done what she was actually born to do, knowingly or unknowingly. Everyone knew what was coming next. The war was inevitable as was the bloodbath. Apart from this, Draupadi is described to be extremely beautiful that Kunti knew that all her sons would yearn for her and if given to just one son there would be disunity amongst the five Pandavas who had been so united. The irony here cannot be overlooked. She was asked to be born to divide the Kuru household, which she successfully does but also is the reason for the Pandavas unity, she was wife to all five equally.
             Drona like the other characters mentioned above was not born out of a mothers’ womb but out of a pot. He was the son of sage Bharadvaja who spilt semen when his eyes fell on a beautiful apsara, Ghrutachi. In the beginning, Drona comes across as an insignificant character but gradually the character progresses to be a really important one. Burning with the fire of ignominy off he was to douse that fire. After learning the art of war from the great warrior-priest, Parashurama, he set out to impart his knowledge to the young princes of Hastina-Puri. He taught them well and within no time, the princes had acquired the art of warfare. However, in return, Drona wanted his students to pay his fee by capturing the King of Panchala, Drupada alive and so they did. Finally Drona’s fire doused. He only let Drupada free when he was given a ransom of one half of his kingdom. Drupada further on as mentioned earlier invokes Shiva to destroy Drona and his apprentices. Once again, an unnatural birth and the trait of vengeance cannot be neglected.
Unnatural birth existed but wasn’t common. However, Mahabharata talks about quite a few. One of them was the birth of an extremely powerful King, Jarasanga. He was the King of Magadha. His birth is quite out of the ordinary. His father was childless; the thought of not having an heir often displeased him. Hence, he prayed to a sage who gave him a mango and told him to give it to his wife and soon the mango would turn into a child. The father splits the mango into two because he had two wives and did not want to unfair to either. Soon the mango turned human but there was glitch since the mango had been split so had the boy. One wife had one half of the body while the other with another wife. The King was flabbergasted. He immediately ordered that the bodies be thrown into the forest. The forest was a home to a demoness called Jara who ate humans. She comes across the two halves and fuses them together. She instantly developed a mother-like feeling towards the child and she protected him till his body was split into two by Bhima. He was just another out of the many characters that were portrayed to be vengeful. He was angered that his son-in-laws’ murderer was being respected and loved instead of being punished. He attacked Mathura seventeen times only to watch his son-in-laws murderer dead. However, those seventeen times were all in vain. The number of times he attacked Mathura just demonstrates the level of hatred and frustration he had.
                  Like I mentioned earlier, unnatural birth existed at the time the Mahabharata. Of all the people aforementioned there lived an extra-ordinary woman called Satyavati. When I say extra-ordinary I say it in the more literal meaning. She wasn’t born out of a mothers’ womb. She was the daughter of a King called Uparichara, who in due course of his hunt decided to rest under tree. While he was relaxing, the thought of his beautiful wife had him eject some quantity of semen. Not wanting to waste his semen, he carefully wrapped it in a leaf and requested a parrot to deliver it to his wife so that she could bear a child with it. On his way to deliver the parcel, a falcon attacked the parrot and the packet fell into a river and was eaten by a fish. The fish was once an Apsara, Girika who was cursed by Brahma to live the life of a fish until she gave birth to human children. A fisherman catches this fish and finds in her belly a pair of twins. One of them being Satyavati. She got married into the Kuru-household. She had two sons, one who was arrogant and died fighting and the other a weakling who no woman wanted to marry and unfortunately died having no children. She however, made sure that her line of descendants doesn’t just end there. She called for her third son that she had secretly had with a sage while ferrying him across a river. He lived in his father’s hermitage and looked repulsive and hideous. But so desperate she was to have grand heirs that she sends him to sleep with her two daughter-in laws. That was then, that Dhritarashtra and Pandu were born. The two important men whose heirs,  Kauravas and Pandavas are the central characters of the ‘Mahabharata’.
  In conclusion, I’d like to sum it all up. The idea of unnatural birth is so unique but yet so acceptable. The characters mentioned above are all unique in their own way. Satyavati is the reason why the line of heirs in the Kuru household continued, Draupadi was so outspoken. The Kauravas were so competitive and insecure that they envied their own cousins success so much that they sent them to exile for a long period of thirteen years. Drona taught the Kauravas and the Pandavas the art of warfare without which there would be no war, if Jarasanga did not die, Yudhishtra wouldn’t be King. If he wasn’t the King, there would be no ‘Indra-prastha’ or status that Kauravas would feel jealous about. These characters not only play an important role in this epic but also in each other’s lives. Had it not been for Satyavati there would have been no Pandu or Dhritarashtra and their children. Had it not been for Draupadi commenting on Duryodhana’s fall, the question of undressing her in front of the court would have not occurred. Hence telling us that, these characters are so closely inter-twined that leaving out one of these characters would actually lead to a whole other plot, they co-exist. Apart from that, they all portray a character with different shades but have a similar trait of vengeance, other than Satyavati, Kripa and Kripi. The fashion that they were born in was so exceptional, out of fire, pots, fish and mango. They all lacked humility somewhere or the other, once again exceptional to this is Satyavati, Kripa and Kripi. Even the names given to these characters, like Draupadi gets her name from her father, Draupada which in Sanskrit means, ‘firm-footed’. Dhrishtadyumna-‘daring and splendor’. Duryodhana means ‘hard to conquer’. Satyavati means truthful. Thus we observe that even the characters in this great epic are very much similar to their own personality. The characters gradually, help build up a plot that actually teaches the lessons of life. Was this karma or dharma, will be a question that will always remain unanswered.

SANIKA SHAH
FSLE-3

MAHABHARATA & The ECONOMY


Mahabharata, the illustrious book that speaks of our times of yore, reflects greatly upon the society that lived then, their social institutions, norms and customs. While reading the Mahabharata, one realizes that these three aspects of the society are very closely intertwined.  However, what is most intriguing are the changes that take place in the society. Some norms become more rigid with time while some may just fade away. Social change doesn’t just happen all of a sudden; it is a slow and gradual process which takes place with the changes in the ideas and beliefs of people that take long to alter.
                          What we know about the ancient, pre-Vedic times is what archaeologists tell us. They say that people lived in small groups; they hunted animals for their fur, for their horns or bones and for meat. Apart from eating the meat, they also ate wild-berries. Slowly, from the Paleolithic-Age came the Neolithic and Chalcolithic Age where a lot changed. They stopped living like nomads and settled in houses. This can be seen in the Harappan civilization where people settled in great numbers on hills and banks of the river. The people during the Rig-Vedic times were semi-nomadic and cattle rearers; their principle possessions were cattle and horses. Cow was considered to be tantamount with wealth. Wars were fought over cows and cows were stolen. A house that didn’t have a cow was said to be poor.  Even this kind of society, we see a chief who was said to be the head of a tribe (like the Kshatriya kings in later society). During wars, if one tribe lost to other they had to pay tributes.  Most of this wealth went to the priests and princes of the tribe suggesting unequal distribution of wealth even then. The ordinary people were barely given a share. After the pre-Vedic came the Vedic age. The main occupation of the people was agriculture. The people were no longer semi-nomadic. They were settlers; hence this gave rise to territorial chiefdom. From the tributes obtained by peasants, and others the princes performed rituals and rewarded their priests.
                          We observe that the society during the times of the Mahabharata is almost similar to the ancient societies but just more established. Ancient society had a caste-system too. Caste could be defined as a fairly well marked, separate community, whose individual members are bound to each other endogamy (and hypergamy), and very often also by a common hereditary profession or duty, actual or supposed.[1] However, according to Dumont, the caste system must be understood in terms of its essentially religious (‘Hindu’) ideology, which pervades all the immense varieties that it displays. It is reflected in the endless, complex, even conflicting, arrangements of rank, the highest belonging always to the Brahmanas, who are the ‘purest’ and command much of its ritual.[2] The ranking does not originate in, or correspond to, the actual distribution of power or wealth, but arises, so to speak, out of the elaboration of the basic principle of purity or pollution. Thus neither are caste’ an extreme’ form of classes[3] nor is the caste system a system of social stratification: it need not, and does not, correspond to the distribution of wealth or power.[4]Dumont insists that caste must be understood as ‘part of the whole’, which means that the entire society must be divided up among castes, and there must be no significant residue. Thus, in effect, caste must exist as the sole or dominant form of social organization, or not exist at all.[5]
            The Caste System in the Mahabharata is such that the Brahmins and the Kshatriyas were portrayed to have been hegemonic. While the Mahabharata elaborately reflects majorly on the Brahmins and Kshatriyas, the Vedas however, clearly speaks about the four varnas. Brahmins, Kshatriyas, , Vaisyas and Shudras. The Brahmins were said to be calm, knowledgeable and not only imparted but also practiced the scriptures and conducted the rituals. The Kshatriyas comprised of the warrior class which included the royals. The Vaisyas were the business class; it consisted of tradesmen, the artisans and other skilled workers. The Shudras were the lowest in the caste system. They were mainly slaves and were given no importance in the society. Even in the Mahabharata the Shudras were regarded to be nobody’s and their children that were born of Kings were given no importance whatsoever. They were not even considered as legitimate heirs to the throne. Their mother’s have been referred to as ‘maids’. The ancient texts hardly refer to the marginal societies. Hence, ‘it is hard to form a “homogenous picture”.[6] This holds true even in the Mahabharata. . The very incident when Kunti and the Pandavas let the Nishada woman and her five sons take the blow and watch them reduce to ashes just proves further how unimportant their value was. To the Kshatriyas, there life held no value at all. Like I mentioned earlier, the Mahabharata clearly reflects on the situation of the Brahmanas and the Kshatriyas but hardly speaks about the marginal sections of society, probably because they had no caste. One’s caste is determined based on birth, so if your parents were Kshatriyas your caste was Kshatriya. Every caste had its place in the social hierarchy and every person of a particular caste was supposed to fulfill their ‘Dharma’ but the marginal sections were never made part of this entire caste system. Probably because the authoritative figures feared their authority would be questioned and they would no longer hold such important positions in the society as they did.
                      However, one cannot help but question this caste-system. What makes you of a specific caste, birth or behavior? The Mahabharata clearly speaks about how your birth defines your caste but there have been several instances where a Kshatriya behaves more like a Brahmin and vice-versa. Yudhishtra was a Kshatriya, his duty as a Kshatriya was to fight but his behavior was more like a Brahmin. He preferred reading scriptures over war; he would send his brothers to fight but as a Kshatriya never really took part in one. He was calm like Brahmins are supposed to be. Drona was a Brahmin by birth but his actions were like that of a Kshatriya. He was vengeful and was not calm. In cases like this who is to say who the real Brahmin is or who the real Kshatriya is. It’s quite unfortunate that your caste is determined by your birth when one’s actions speak louder. Even when Nahusha asks Yudhishtra, ‘how can we recognize a true Brahmin?’ Yudhishtra answers by saying that a Brahman is characterized by the qualities of forgiveness, purity, honesty, self-control and ascetism. Nahusha further asks him about the qualities being found in non-Brahmins. Yudhishtra answers that by saying that if the above qualities were observed in a non-Brahmin then that person irrespective of his birth, should be known as Brahmin. This very statement though mentioned in the Mahabharata is never followed. Neither Vidura nor Yuyutsu were even considered as legitimate heirs only because of their caste, they were not of pure Kshatriya blood. They were sons of petty maid-servants.Their actions however, were worthy of a Kshatriya.
                     Even though the Brahmins were said to be at the apex of the social hierarchy, one comes across various conflicts between the two castes over supremacy and power. This constant struggle symbolizes the insecurity the two castes had. The Mahabharata illustrates this clash in several occasions. The clash between Drona and King Drupada is elaborately spoken about. Drona feels humiliated by the harsh words of King Drupada and decides to even the. He learns the art of war and teaches is to the Kuru princes. As fee he asks them to capture the King of Panchala alive. The Kuru princes keep their promise and capture Drupada alive. Drona asks Drupada to pay a ransom in the form of half his kingdom. Drupada is compelled to do so and parts with half his kingdom only to gain freedom and avenge his humiliation.
        The Mahabharata reflects on the society there was at that point of time. The caste-system was certainly a very important institution of the society and the rigidity of this system has been criticized by many humanitarians like Gautama Buddha, Mahavira, Kabir, Raja Ram Mohan Roy, Swami Dayananad, Vivekanand, and Mahatma Gandhi led many crusades against discriminations based on caste in Indian society. Even though the caste-system has become a little flexible in some parts of the country because of globalization, the rigid caste-system still pervades in most parts of the country and continues to shape people’s lives. The effects of the caste-system can be seen even today in the form of reservations for the lower classes, employment privileges, quota etc. Even though discriminating by caste and creed is considered to be a legal offence, it still occurs in some parts of the country, inter-caste marriages are considered a taboo and a lot of honor killings that take place or have taken place are more often than not because of caste.
                           Not a lot of cultures have elucidated the specific roles of people based on age and their responsibilities bestowed upon them at particular age groups. The Asrama system of Hinduism is well defined and has been an institution that has been long followed. These are divided into four stages of twenty- five years each, considering a man lives for hundred years. The first twenty-five years of a man’s life was known as ‘Brahmacharya’. This stage of life was mainly to get educated and was essential for the development of the mind and the body . The student was to live with the teacher. During this period the student had to lead a life of simplicity and chastity. He had to maintain strict control over all his organs and to avoid all pleasures and luxuries.  The second stage or ‘Grihastha Ashrama’ was to be followed from the age of twenty five till the age of fifty.  During this stage of life a man was supposed to settle down, get married and have children. . This stage of life was considered to be the hardest stage because the person had also to devote attention to sacrifices, worship, charity etc.  The second last stage was known as ‘Vanaprastha Ashrama’.  This lasted from fifty years till seventy years. This was the time to sacrifice all the worldly comforts and retire from the world. It was time for his children to look after the house, while he was expected to leave home and live in the forests castigate the body to purify the soul. The last stage which lasted from seventy-five years till hundred years was known as ‘Sanyasa’. This was considerd to be the last stage in the journey of a man’s life. These twenty-five years were spent in acquiring the right and absolute knowledge. The aim of this stage was to break free from the circle of life. Throughout the asrama system, the conflict between ‘loka-samgraha’ (worldly existence) and ‘moksa’ (spiritual release) is waged, to be finally won as an ascetic. This system is followed in the Mahabharata. The young Kuru princes learn the art of war from their teacher Drona (Brahmacharya stage) and once they were done learning all that there was to learn in the art of warfare, got graduated and later got married to Drupadi and have children with her thus marking the ‘Vanaprastha Ashrama’. The Brahmins and the Kshatriya males were expected to follow these four stages of life while the women were not really considered part of this system. The Ashrama system is slightly flawed and modified in today’s world, but is applicable to most people. However, the last two stages, that is the ‘Vanaprastha Ashrama’ and ‘Sanyasi’ is not followed by all.
                   Marriage is considered to be one of the most sacred social institutions, which marks the union of a man and a woman.  In the Mahabharata one sees that marriage was considered to be a duty (Dharma), marriage to have lawful heirs, some sort of political alliance, love and obedience. There are eight different types of marriages that were acceptable to the society then.  ‘Brahma’ was that kind of marriage where the father of the bride decks her up with expensive garments and jewels and gives her hand in marriage to a man who was well versed with the Vedas and had a good conduct. This man is invited by the father himself. The second kind of marriage is known as ‘Daiva’. This is where the father gives his hand to a priest who duly presides at a sacrice during the time of its performance of this rite. The daughter is groomed with ornaments. ’Arsha” is another type of marriage where the father gives away his daughter after receiving a cow and a bull from the bridegroom. The fourth kind of marriage is known as ’Prajapatya’. When the father after giving his daughter’s hand and blesses his daughter and the groom by saying, ‘may both of you perform together your duties.’ When the father receives wealth of any sort, this type of marriage is known to be ’Asuras’. It is more like an economic contract (Madhavi). ‘Gandharva’ is a voluntary union of two willing lovers. Neither the consent of the parents nor dowry was essential in this form of marriage. The main purpose of this type of marriage was sexual gratification and desire (Dusshyanta and Shakuntala) . The ‘Rakshasa’ form of marriage was marriage by forcefully abducting a maiden and if her kinsmen came to her rescue they were killed. The last is the ‘Pisaka’ type of marriage which is when a man marries a woman by stealth or seduction by sexually violating her while she was asleep, intoxicated, and helpless or unconscious. In the Mahbharata the two most common types of marriages was the Brahma and the Gandharva form which was actually considered apt for a Kshatriya. Even a swayamvara is spoken about in the Mahabharata where a girl chooses her husband from many suitors. (Arjuna and Draupadi). Marriage was regulated by the rigid caste-system and the caste laws. There has been a mention of ‘anuloma’( a higher caste man could marry a lower caste woman; Bhima and Hidambi) and ‘pratiloma’(when a woman of higher caste marries a man of lower caste) was not permitted.  The Mahabharata also reveals about the existence of monogamy. This is an ideal form of marriage where one man is married to only one woman for the rest of his life (Savitri and Satyavan). It also speaks of polygamy, in which a man has many wives. This form of marriage was common amongst the Kings (Pandu had two wives, Kunti and Madri). Polyandry is mentioned, where a woman has many husbands (Draupadi and the Pandavas). However, this wasn’t accepted to well by the people. However, Yudhishtra justifies his actions by stating that he was merely obeying his mother’s words. The society then was completely against incest. A man could not marry a woman that shared the same bloodline. This type of marriage was and is still considered to be a social taboo.  [7]

                 One other important system was kingship.  A king was required to be educated. ‘Command of armies, royal authority, the office of a judge, and sovereignty over the whole world he alone deserves who knows the Veda science’, says Manu elsewhere.[8] ‘Let him act with justice in his own domains-Punishment (danda) strikes down a king who swerves from his duty-with rigor chastise his enemies, behave without duplicity towards his friends, and be lenient towards Brahmans‘.[9] From the Mahabharata we learn that only a Kshatriya could be eligible to be a King. Vidura and Yuyutsu were both worthy of becoming kings but the rigid caste system disapproved.  A Brahmin was forbidden to accept any gifts from kings that were not from proper lineage.  Kingship during the Mahabharata, displays the importance of the ‘Brahmanical’ religion in the society then. It revolves around doing the rightful duties that one ought to do. Duty towards oneself, one’s family, towards religion, society and the kingdom. If the King did not carry out his rightful duties the cosmic and moral order would be disturbed. The kings performed yagnas or sacrificial rituals to demonstrate their power, authority and strength. Mahabharata clearly mentions two of these yagnas the Rajsuya yagna and Ashwamedha yagna. Both of these were sacrifices that were performed with great grandeur. Both these were done by inviting all the kings, after not only defeating but also by taking tribute from them. This was done to become the emperor. The Rajsuya yagna were rarer than Ashwamedha yagna because they were costlier and held great risk. These yagnas were a way to not only claim the title of ‘chakravarti’ but also expand the kingdom. Apart from yagnas the kings sought to different means in order to expand their kingdom.  They would marry a princess of another kingdom, they would indulge in polygamy and some marriages were done only to gain political alliances. They wouldn’t only just marry but also produce male heirs with their ‘numerous’ wives to strengthen their alliances. This means of expansion is the most common and this continued way after the Mahabharata too. Apart from Hindu kings even the Mughal emperors and the British resort to this means to expand their territory. Another way is by clearing forests. The lands then were mainly covered with dense, deep jungles. In order to establish more land the Kings would burn the forests down in order to claim that land. The  kings were well aware of their duty, however  on reading the Mahabharata one realizes that the rights to the throne is not well explained and flawed. While it should be ones worthy actions that chooses whether or not you are king, the Mahabharata supports birth. The Mahabharata also speaks about how a son with any physical defect cannot be an heir to the throne but doesn’t say whose children, whether the current kings or the eldest child would be the heir to the throne. Earlier we see not too many questions arising about the right to the throne, but gradually, we see differences between brothers, this constant insecurity, manipulation, competition and finally war over the rights to the throne. 
                           
                            Alongside, these social institutions were customs and norms. ‘Niyoga’ was one such ancient Hindu custom in which a woman was allowed to bear a child with another man if her husband was either incapable of fathering a child or died without having a child only then was she allowed to be with another man for reproducible purposes.  A highly respected man was appointed by the elders of her family incase her husband had died or by her husband, in case he was incapable of being a father.  However this custom had various clauses, the woman would agree for this not for pleasure but to bear a child. Even the appointed man would follow this custom as ‘dharma’ or duty to help a woman bear a child and not for sexual gratification. The child that she bears with the appointed man would carry the name and caste of his/her mothers husband and not his/her birth father. The birth father must completely detach himself from the child and seek no paternal relationship with his child in his complete lifetime. To avoid misuse, a man was allowed to be appointed only three times in a complete lifetime. While doing the act neither the appointed man nor the woman could think of lust or sexual gratification. Even while doing the act the mind should only have ‘dharma’ running in it. It is believed that before getting physically intimate with the man they were asked to apply ghee on themselves so that they could abstain from the feeling of lust. The most suitable example occurred in the Mahabharata. Dhritarashtra, Pandu and Vidura were all born of this custom.  This system was only for the women. If the woman was incapable of bearing a child her husband was allowed to remarry or even have an extra-marital affair if required with no permission needed from his wife or family. This custom just shows how patriarchal the society was even then.

                                  Guru-dakshina was another prevalent custom that has been mentioned in the Mahabharata. Guru Dakshina is a repayment of certain kind in exchange of what he has taught you. It is done to express gratitude and to pay respect. Eklavya was asked to sacrifice his right-hand thumb as ‘guru-dakshina’ to Drona. Drona asked the Kuru princes to capture the King of Panchala alive, as guru-dakshina. This just shows the immense respect and gratitude people had for their teacher then. A teacher was never refused a guru-dakshina nor questioned for his demand.

                                     The yagnas were performed by the priests and the kings. The kings performed certain yagnas which could be sacrificial in nature in order to gain power, land and greater authority. Yagnas were considered to be the link between humans and the cosmos. It was also considered to be a path that helped in attaining liberation. Yagnas usually have sacrificial fires. This was also done by certain tribes to please the nature Gods. Rajsuya yagna and Ashwamedha Yagna have been mentioned in the Mahabharata. These sacrificial rituals are still carried out today by several people in the society for various reason hoping to please the Gods so that the Gods can fulfill their desires.

                                  Dana was a humble custom carried out in ancient India. Dana was originally a term used for distribution. Earlier in the tribal kind of society, one person (chief of the tribe) did not give away his wealth to another but distributed his wealth among his clan. This wealth was either winnings of a war or wealth given during festivities or special occasions. Gradually the society changed and so did the ideas, beliefs and customs. Dana was now considered to be charity. Dana was carried out by the Kshatriyas only. The King would give some wealth to poor people. However, it is said that the Kshatriyas cannot deny dana to a Brahmin. It is their duty to do so. A classic example of this was when Krishna changes into a sage, he asks Karna for his ‘kundal and kavach’. Karna could not deny this as he was dressed like a sage and denying a sage was against his dharma.

                                       Sati is said to be ‘the product of a strong patriarchal society’. The sati system is connected with the cremation of the wife with the dead husband. It indicates so much of patriarchal dominance that the wife was compelled to accompany her husband even after death. [10]However, there is no compelling nature in the Mahabharata as such. In fact, Madri voluntarily jumps into her husband’s burning pyre because she believed that she was the cause of his death. Even after a lot of people tried persuading her into not jumping into the burning pyre, she did. This is probably the most important thing that has been mentioned about sati, in the Mahabharata. Later on, this system became much more rigid, where women were compelled to jump into the burning pyre and turn into ashes along with the death of their husbands. The women who refused or got away were considered to be social outcastes.  The practice of Sati also spread among the Sikhs and Marathas and some other militant communities in the South. [11]Contrary to most people’s belief Sati as a custom was never forced upon at least in the Mahabharata. It was voluntary. Because Sati became such a ruthless, inflexible and unjust custom was abolished in 1829. Sati as a custom has faded away because it gradually lost the essence of its true nature. It became a forceful practice while the meaning was just lost in time. Sati now is an illegal practice and anyone forced to do so would be charged by the Indian Penal Code and would be behind bars.

                               The society comprised of certain people whose values were considered to be idealistic.  Mahabharata speaks of an ideal son, Bhishma who took the fall for his father. He chose to give up the throne and never have a family or get physically intimate with any woman only so that his father could marry the woman he loved. He took the curse instead of his father. Like an ideal son you have an ideal daughter, Madhavi who was sold off like a commodity by her father to four different men. Even after being treated like that she did not once question her father’s actions. When her father’s money was over and he needed more money to stay in heaven he asks her to ask his grandchildren to help him out. At first they refuse but Madhavi teaches her sons the power of forgiveness and helps her father.  An ideal wife was one that carried out her duties towards her husband so faithfully. Gandhari, blind-folded herself, only so that she could share her blind husband’s pain. Savitri followed Yama, the God of Death to get her husband back, Madri voluntarily jumped into her husband’s burning pyre because she believed that she was the reason for his death. Eklavya was an ideal student who was never taught the art of archery because of his caste. Even though Drona declined to teach him, he watched Drona and learnt the art all by himself. When Drona finds out he asks him for his right thumb as Guru-dakshina. Drona did this only to be an ideal teacher as he had promised Arjuna that he would make him the greatest archer in the world. By asking for Eklavya’s thumb he stopped Eklavya from claiming that he was far more skilled than Arjuna.  Bhishma and Karna were considered to be the ideal warriors. While Bhishma was one of the best warriors, he never left the side of Hastina-Puri. He fought the war not on the side of the Kauravas but his loyalties lied with the throne of Hastina-Puri. He fought valiantly. Karna, was an ideal friend. Even after knowing that he was fighting his real brothers in the war chose not to change sides. His loyalties lied with Duryodhana right from the beginning. He also the plight he’d have to face himself and see it in his mother’s eyes.  These were the values that some characters were depicted with. With characters like these comes the word ‘ideal’ or ‘perfect’, where every father hopes to have son like Bhishma and every Friend would hope to have a friend like Karna. They were potryed as ordinary beings but just did extra ordinary things.
    
                               Devotion, as a value is ornately spoken about in the Mahabharata.  Devotion was however very subjective. For the Pandavas devotion was more of a spiritualistic term. They were great devotees of the Lord Krishna. Savitri, Damyanti and Gandhari were so devoted to their husbands that they came to be known as ideal wives. One was willing to fight death for husband, while the other chose to be blindfolded like her blind husband. Bhishma’s devotion lay with the throne of Hastina-Puri. Nothing changed his devotion or his loyalty towards the throne, not even the fact that he was facing his own nephews who he played with on his own lap as children.
  
                               To draw a conclusion I can now say that society then was multifaceted and filled with paradox. The Mahabharata however tries to portray both the black and the white and everything in between. It not only has selfish but also has selfless characters, it doesn’t only depict the disobedient but also the extremely obedient, it doesn’t only speak of treachery but also of great friendships, not only of hatred but true love, not only of falls but also the rise, not only the orthodox but also the unorthodox. The Mahabharata doesn’t only speak about immense peace but of a gallant war. The social institutions, customs and norms are bound to change as change is inevitable. As the world changes, as the ideas and beliefs of people change so do these institutions and customs. We may not know for sure if the Mahabharata was truly realistic or merely a fiction of the writer’s imagination but what we can sure know or at least draw conclusions from is the way it has portrayed and reflected upon on the society then.  Some customs and norms may continue, some may become even more rigid or flexible, some may just fade away with time and some may just lose the ‘real’ essence of it and may just be practiced because we see our ancestors preach and practice it.

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[1]  Irfan Habib, Essays in Indian History. Towards a Marxist Perception; p.161
[2] Homo Hierarchus, p.300
[3] Ibid., pp. 288ff.
[4] Ibid., p. 300
[5] Ibid.,pp.262,274. Accordingly, to Dumont, ‘Hindus and Muslims Form Two Distinct Societies’ (p.257)

[6] Themes in Indian History, p.276

[8] A Cultural History of India edited by A.L.Balsham
[9] A Cultural History of India edited by A.L.Balsham
[10] India’s Ancient Past, R.S.Sharma 
[11] India’s Ancient Past, R.S.Sharma  



SANIKA SHAH
FSLE--3

Monday, 15 April 2013

Mahabharata


Mahabharata is the longest epic and it reflects greatly on the society that existed then. “Epic literature emerges out of ‘heroic ages’ and often retains the flavor of such an age in spite of repeated redactions of the text and the interpolation of late ages. This lends to the text elements of internal contradictions as well as compendium-like quality. The Mahabharata is no exception.”[1] The Mahabharata, helps understanding the early caste-system, rules that governed the society, the rulers, the social customs, norms and also the economic conditions of the society. At the time of the Mahabharata, the society was still changing. New ideologies were coming into play, for instance, the idea of monarchy. In spite of the changes that were taking place within the epic itself, some elements of the society remained relatively constant.
                           The economic structure remained pretty much the same throughout the Mahabharata. The predominant economy of the epic is a mixture of pastoralism and agriculture with an earlier emphasis on the former gradually changing to the latter which is more apparent in the didactic sections.[2] In the earlier stages the society was described to be mainly clan-based, that was governed by a chief who was the head. Gradually we observe the idea of monarchy slowly taking over. Marcel Mauss quotes that,”Le Mahabharata est l’histoire d’un gigantesque potlatch.” Potlatch is defined as an opulent ceremonial feast at which possessions are given away or destroyed to display wealth or enhance prestige.[3] This ceremony is shown to be celebrated in the Mahabharata during the ‘Rajsuya yagna’ which was held by Yudhishtra. This yagna was performed only by kings in order to establish their kingship, to amalgamate factions under their sovereignty, and to distribute wealth to many people. Kings from all over the country were invited to attend this sacred and grand ceremony. During this ceremony the host as well as the invitees exchanged gifts. The host of this ceremony often gifted the other kings some gift in order to gain approval and to appeal. Gift giving is not a one-way process since it is assumed that at some later date the invitees will also have a potlatch, and this keeps goods in circulation.[4] Gift-exchange is a distinctive feature that is seen in a society that has moved past the stages of clans and families but has not arrived at the stage of coins, money or any sort of market economy. Gift exchanging is vital for mainly two reasons. Firstly, it keeps the goods in circulation and secondly gifts are a symbol of status, pride and recognition. Gift-giving revolves around the notions of obligation, of purchase and of sacrifice.[5]
               Apart from the mentioning of the potlatch, there has been a mention of a game of dice in the Mahabharata. The Pandavas are invited to participate in the game of dice by the Kauravas. The eldest son of the Kauravas, Duryodhana was not permitted to perform the ‘Rajsuya yagna’ since his elder cousin brother, Yudhishtra had already done so. Hence, a game of dice was planned. The winner of this game was predetermined since the dice was rigged. While the valiant Kshatriyas are expected to lose their fortunes over wars and not over gambling, the misfortunate Pandavas lose not only their possessions, their kingdom, their wealth but also have to face the humiliation of their wife Draupadi being disrobed in front of the whole court. The whole court was stricken with silence not even the blind king had a word to say because of his ‘blinded’ love for his sons. The war over power and the legitimate heir to the throne always remained an unanswered question. However, the Pandavas lost everything they earned but with the mention of gold, horses, an elephant, slaves and textiles, there never has been any mention of gold coins. This shows that the society didn’t really have a standardized system of measurement. However, the above list has a mention of slaves. Unlike the Greeks and the Egyptians where a lot was known about the slaves, in India not much was known about the slaves. Nonetheless, just the mention of slaves shows some kind of social stratification within the society. Yudhishtra put so many slaves at stake so easily, just shows how unimportant and dispensable they were within the social strata. The Brahmins were given great importance. Even after Yudhishtra had nothing but himself and his family to stake he didn’t even stake one Brahmin. This just shows how important and respected the Brahmins were within the society.
            Caste could be defined as a fairly well marked, separate community, whose individual members are bound to each other endogamy (and hyper gamy), and very often also by a common hereditary profession or duty, actual or supposed.[6] Caste defined the profession you were to undertake and the profession would in return determine the economic conditions. The caste-system or the ‘Varna system’ was divided into four classes hierarchically, the topmost being the Brahmins, then the Kshatriyas, the Vaisyas and lastly the Shudras. These classes were given certain duties and functions that each of them had to carry out within the society. A hymn in the ‘Rig-Veda’ describes how the world was created by dividing ‘Purusa’ forming ‘varnas’ or classes that were based anatomically. Along with the creation of the human beings, animals, seasons, verses, meters, and other such elements were formed.[7] The mouth of ‘Purusa’ became the Brahmin, his arms happened to be the Kshatriya, the Vaisyas came from his thighs and lastly his feet became the Shudras. Brahmins were characterized as learned people who were most familiar with scriptures, taught and carried performed rituals or ‘yagnas’. Their work was less arduous as compared to the other classes. This was the duty of a Brahmin in the society. Kshatriyas were the warrior class. They were the protectors of the society. The royals also came from this class. A Kshatriya’s duty was to maintain the balance between the castes and to ensure the preservation of this hierarchy within the society.  They were expected to be noble, virtuous and honorable men. These attributes were what contributed in the making of great warriors. If these duties were abused or not carried out, they were seen to be going against their ‘dharma’. The Vaisyas was considered to be the business class which consisted of skilled craftsmen, artisans, farmers and traders. They were hard-working and were expected to sell or provide for the community. The Mahabharata mentions of metal workers, goldsmith and architects that come under this class. The lowest class was the Shudras. The classes above them looked down upon them. They were the working class and consisted of mainly unskilled labor. Their duty was to serve the upper classes. The Mahabharata throws light on some of the types of Shudras like the ‘sarrandhari’ which included beauticians and maids, cooks, cow herders and charioteers.  Hence, this shows us how important a role the caste-system had to play in the economic structure and conditions of the society.
                         As I mentioned earlier, the economy was a mix of pastoralism and agriculture.  In the earlier parts of the epic we observe how cows were tantamount to wealth. The more cows a family owned, the richer he was considered to be and if the family had no cows the family was looked down upon and probably didn’t hold too much importance within the social strata. People who stole cows were horribly cursed. Even when Yudhishtra loses the game of dice, he is said to have given several cows. Another example to show the importance of cows was Bhishma’s curse. It is said that in his previous life Bhishma was one of the eight ‘vasus’, Prabhasa. The eight vasus along with their wives set out to visit Vashishtha. Prabhasa’s wife took real fancy in Vashishtha’s cow, Nandini (who is referred to as a sacred, wish-fulfilling cow). Prabhasa stole the cow with the help of the other vasu’s for his wife. Vashishtha was so enraged that he cursed all eight of them to be born as mortals in the world of men. The seven vasu’s begged for mercy and so Vashishtha modified the curse for them saying that they would die instantly just after they were born. As for Prabhasa, he was to live like a human for a longer period of time and would lead a terrible life of misfortune. Thus Prabhasa was reborn as Devrata( Bhishma).  Even Karna was cursed for killing a cow with helplessness. It is said that Karna was practicing his aiming skills with his bow and arrow near Parshurama’s ashram.  Accidently, one of Karna’s arrows kills Parshurama’s cow who was so enraged cursed him saying that one day even he would be as helpless as the cow that he killed. This curse manifests itself during the war when Karna’s chariot wheel gets stuck in the ground, which further results in his death. Such grave were the consequences of killing a cow, and such high was the regard of the cow in the society. The Mahabharata also mentions ‘Kamadhenu’ that is said to be a divine cow that grants all your wishes. Cows were probably given so much importance because the people relied on the cows for milk, a basic need and for ghee that was used in sacrificial rituals. The cow was never given as sacrifice or slaughtered for meat. Cows or ox as gifts were regarded to be of the highest kind.
                      However, apart from cow, land was considered to be another form of wealth. Land was given in the form of gifts, ransom (Drona asks Draupada for half of his land as ransom to the Kuru princes in exchange of his freedom), as ‘Guru-Daksina’ (the Kuru princes give their teacher the land they got as ransom after capturing the King of Panchala, alive). Land could also be obtained or lost in the form of certain yagnas like the ‘Ashwamedha yagna’. This yagna could only be performed by kings in order to gain power, supremacy and glory over the neighboring kingdoms. A horse is set loose towards the north-east direction and if it passes the kingdoms of the enemy, the enemy had to be conquered, thus the performer of sacrifice acquired land and gained supremacy. Another important way of acquiring land was by clearing of forests. This practice has been mentioned in the Mahabharata in the later period probably because the society changed from being a pastoral to a more agricultural one.  Land was required for cultivation of crops which became an important source of economy and symbolized growth. The Mahabharata throws light on one such incident where there was turmoil between the Pandavas and the Kauravas over power and both considered themselves to be legitimate heirs of the kingdom of Hastina-Puri. To end this havoc Krishna suggested that the kingdom of Hastina-Puri be divided into two. Hence, Dhritarashtra allotted the forest of Khandava-prastha to the Pandavas. The forest was home to several animals, birds, beasts, Rakshasas and Nagas. The only way the Pandavas could make a prosperous kingdom was by burning the forest down. Hence, the forest was completely burnt down and a beautiful city was built. This city of ‘Indra-prastha’ had grown from ashes to being the most prosperous city in the whole Bharata-varsha. This incident symbolizes the change of economy from pastoralism to an agrarian one, where land was one of the most vital elements for prosperity. This method is the most primitive form for cultivation. However, some pasture lands are included in the forest area such as the Dvaitavana, and the Kauravas organize a ghosayatra, a cattle-expedition to this area.[8] Hunting was carried out then, probably because they ate the meat of the animal that they hunted symbolizing the existence of pastoralism along with cultivation.
                      Such was the economy of the society then. The changes that occurred in the society show the alteration in the economic structure as well. Nonetheless we see the evolution of the economy from the earliest where cattle was wealth to now where we have paper and plastic money. There was no mention of coins earlier and now we have moved past the gold, copper and metal coins. There was a barter system then, where goods were exchanged and now we have trade which involves money. There was no mention of tax earlier but gradually the concept of taxation came into play. There was no standardized, universal measure of wealth like we have today. Thus, we can observe not only the transformation of society gradually but also understand the initiation of new ideologies.


Sanika Shah
FSLE-3
Works cited:

1.     (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631

2.     (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631


4.     Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631
5.     (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 632
6.     Irfan Habib, Essays in Indian History. Towards a Marxist Perception; p.161
7.     [1] Doniger O’Flaherty 29-30
8.     (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 639
Sites Referred to:
·      www.bhagavad-gita.org
·      www.mahavidya.ca
·      ancienthistory.about.com
·      asianhistory.about.com







[1] (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631

[2] (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631

[4] (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 631

[5] (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 632




[6] Irfan Habib, Essays in Indian History. Towards a Marxist Perception; p.161
[7] Doniger O’Flaherty 29-30
[8] (Thapar) Economic Condition, Romila Thapar, Cultural Pasts: Essays in Early Indian History, Chapter 9: Some Aspects of the Economic Data in the Mahabharata, pg: 639